One Of The Hardest Things I had To Do - Original Writing :: Papers

One Of The Hardest Things I had To Do - Original Writing As we drove from the peaceful, secluded surroundings of Hertfordshire into the bustling hub of Heathrow's Terminal 4, it suddenly dawned on me how hard it would be for me to carry out this featà ¢Ã¢â€š ¬Ã‚ ¦ It was the time I was most looking forward to. We had finally been allowed out of the school gates into our eight weeks of freedom. No work had to be handed in the next day, no teachers would moan how over worked, under paid they were and most of all it was not the winter. After careful deliberation my family and I decided to spend our two-week vacation in the all night city of Paris. We were looking forward to the 35oC weather, the theme parks built inside the over developed hotels and one of the greatest wonders of the world, the Eiffel tower. The hotel we wanted to stay at was called the Jolly Hotel Lotti. This hotel was like no other hotel I had ever seen. Not only did it have its own built in theme park with log flumes, roller coasters and any other ride imaginable but it also had twenty to thirty shops and restaurants all inside. To put it mildly, it was huge! On the 21st August, about a week before we left, we received a letter from the hotel's theme park. It told us that for one day only, they would be offering a free ride on the 'Screamer', for anyone who raised more than  £150 in sponsorship. Only when I watched the enclosed video in astonishment, did I realize what this 'ride' was. It was something I had always wanted to do, but had never managed to convince my parents that it was safe. I found out that it was the first bungee jump that allowed anyone over the age of nine to fly through the air at an exhilarating 80 mph at a g-force of 2.5, so you could understand what my parents' reaction would be to my interest.

The Steps in the Business Buying-Decision Process

First process is problem recognition in which someone in the company recognizes a problem or need that can be met by acquiring a good or service. It can result from internal (a machine break down and need new parts) and external stimuli (buyer receive a call from a salesperson who offers a better machine or a lower price). Next stage is general need description in which a buyer describes the general characteristics and quantity of a needed item.An example, for complex items, the buyer needs to work with others-engineers, users, consultants to define the item. Third step is product specification. The buying organization decides on and specifies the best technical product characteristics for a needed item by using product value analysis. Supplier search is another step in which the buyer tries to find the best vendors. They can compile a small list of qualified suppliers by reviewing trade directories, doing computer searches, or phoning other companies for recommendations.Another stag e is proposal solicitation. In this stage the buyer invites qualified suppliers to submit proposals. Business marketers must be skilled in researching, writing, and presenting proposals in response to buyer proposal solicitation. Next step is supplier selection in which the buyer reviews proposals and selects a supplier or suppliers. The buying center often will draw up a list of the desired supplier attributes (product and service quality, reputation) and their relative importance.Order-routine specification is the next step of business buying-decision process. the buyer writes the final order with the chosen supplier(s), listing the technical specifications, quantity needed, expected time of delivery, return policies, and warranties. Final stage is performance review in which the buyer assesses the performance of the supplier and decides to continue, modify, or drop the arrangement. The seller’s job is to monitor the same factors used by the buyer to make sure that the sell er is giving the expected satisfaction.

Film Contributions of the Sixties Essay - 1651 Words

Film Contributions of the Sixties Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the â€Å"Sixties† era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors. In particular, the â€Å"Sixties† saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick,†¦show more content†¦These sequences are a result of a film, which for most of its run time does not presented the subjective vision of any one character. In stylistic and visual terms, there is a mov ement from the three-dimensional style of the film’s first half to the flatter, more abstract visual style of the Star-Gate sequence. The film’s movement towards abstraction can be understood both in visual and narrative terms (Falsetto, 115). 2001’s presentation of details from the â€Å"Dawn of Man† sequence, to later space travel scenes are shot with complete conviction and impeccable detail. The viewer believes that the world might have actually looked like what Kubrick presented it as, several million years ago, and the depiction of space travel is just as convincing. The use of models, front projection, the slow editing techniques and camera work all help to create a more complete illusion (Falsetto, 141). If 2001 was presented almost completely objectively, than Kubrick’s next film, A Clockwork Orange (1972) was presented almost completely subjectively. This may have been in part due to the constraints of the original novel by William Burgess, but nonetheless the film is told from the point of view of its central character, Alex. When Alex is not speaking on camera, he can often be heard as a voiced overShow MoreRelatedAn Exploration of How the Designer Olivier Kuntzel and Florence Deygas Managed to Incorporate and Interpret the Narrative of ‘Catch Me If You Can’ Into Their Title Sequence1169 Words   |  5 Pagesbecause while it embodied the basic narrative of the film – the ongoing cat and mouse chase between the conman (Frank Abagnale Jr) and the FBI agent (Carl Hanratty) – the titles designers also interpreted different themes and applied them to the titles in a way that isn’t apparent until after the film has finished. 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